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Quainton News Archive - Quainton News No. 47 - Autumn 1982
Bogie Bolster Wagons Nos. 97 & 98 and Bogie Bolster No. 64, 66 and 99
The Wagon Train
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During the filming at Premanagar station the five former BSC Corby bogie bolster wagons were marshalled in the sequence, from the Quainton station end, 66, 64, 97, 98 and 99. On each wagon replicas of Indian Railway carriages had been constructed by the filmset craftsmen and each vehicle was a superb example of the art of the makers, Watts and Curry Ltd. The details of the wagon to carriage conversions were as follows: |
BSC No. | IR No. | Nos. on end | Type of Coach | Remarks |
66 | 4721 | 403893 JRL VAX 254 |
Vestibuled Saloon | Painted blue and stone colours on non-platform side |
66 | 5047 | 403 308 JAK ATX 271 |
One First Class compartment with adjoining lavatory - remainder: a shell | - |
97 | - | 034 434 RLJ TSI |
Third Class - Open | Body wider than others - sashes and louvres on non-platform side |
98 | - | - | Body shell only | Glazed openings on non-platform side |
99 | - | - | Body shell only | Glazed openings on non-platform side |
All the bodies were made of plywood on timber framing, which was exposed on the non-platform side. On the side facing the stations the plywood was covered with thin sheet metal and painted in Indian Railways brown-red paint, with white letters and numbers. No. 66 was the only carriage with both sides complete. Although it looked similar to the others from the platform (No. 4721), on the outside it was a resplendent Maharajah's saloon in blue and stone coloured livery and a coat of arms on the centre panel. Access to the saloon was by a 'one-sided' verandah and a centre door. Inside the coach was a dark wood panelled, sumptuously furnished room, with richly upholstered chairs and couches in blue and gold, table lamps, pelmets and curtains in matching colours and expensive looking tables, desks and an escritoire. It was all most impressive. |
The Maharajah's Coach ![]() Photo: |
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No. 5047, alias wagon 64, was provided with a door from the platform side into a short side corridor, with a first class compartment to the right, the compartment being at the right hand end of the coach. Opposite the outer door was a toilet door, and the toilet had a small hand basin and fittings. The compartment was 'oak' panelled and had dark green leather cloth covered bench seats across the full width of the carriage, except where the side corridor joined the compartment (just like the LBSC push and pull sets!). There were luggage racks, boxes and cases - and it was a most realistic representation of a crowded compartment. The remainder of the vehicle was an empty shell. |
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Next in line, No. 97, was the third class coach, which was fitted out for its full length with wooden benches and seats at two levels on each side of a centre corridor - to form an open carriage with a bare floor and rather sordid. The other two coaches, Nos. 98 and 99, were mere shells, although, like all the five vehicles, the body ends and the platform side were full of realism and excellent replicas of the Indian carriages of that period when the story unfolds - the nineteen-forties. A few days after the end of filming, the bodies were dismantled. By 26th September, Nos. 66 and 64 had already reverted to their unglamorous role as bogie bolster wagons and a mobile crane stood with its jib hanging over the next coach to be demolished. Sic Transit Gloria! |
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Text © Quainton Railway Society / Photographs © Quainton Railway Society or referenced photographer
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Page Updated: 09 December 2017